Screen + Sound + Stage
Text and video interview by Shraddha Jahagirdar-Saxena
01:02 Train to Pakistan
06:39 Bhaag Milkha Bhaag
14:54 Special Ops – Season 1
16:28 Ramsingh Charlie
“I don’t call any of my roles a supporting role. I think they hold their own.” Twenty-seven years after her movie debut in Ishq Mein Jeena Ishq Mein Marna (1994), Divya Dutta is aware of the place she stands. The 44-year-old actor from Ludhiana, whose multi-language repertoire extends from romantic blockbusters to thriller internet sequence, isn’t weighed down by definitions of stardom and success – or womanhood for that matter – and enjoys taking part in with viewers expectations whereas pushing the bounds of her craft and inventive expression.
Often fuelled by nervous pleasure on set, Dutta believes she is a extra spontaneous, reasonably than methodology, actor. Her collaboration with administrators like Rakeysh Omprakash Mehra, Neeraj Pandey, Aparnaa Singh and the late Yash Chopra have impressed her to layer roles with sudden dimensions, which regularly emerge unrehearsed throughout a take. “For an actor, it is a high that you are being observed so closely. That makes you so alert, brings you on your toes,” she explains.
While Jalebi, her outspoken character from Delhi 6 (2009), is perhaps probably the most memorable for a lot of moviegoers, it’s with Bhaag Milkha Bhaag (2013) that she sensed an actual shift as a performer. In distinction to her pure verbosity, the function of Milkha Singh’s sister had only some strains of dialogue, difficult her to depend on instinct: “I realised that not only Divya Dutta has a subconscious, even me playing Isri Kaur has a subconscious. […] I think I ‘arrived’ with Milkha.”
Her progress as an actor is evidenced by her extra offbeat decisions of movies. In Badlapur (2015), a neo-noir action-thriller whose plot revolves round a male-centric revenge journey, Dutta commanded the display in a cameo look because the multi-faceted social employee Shobha, with all her ardour and sensuality, ache and emotions of betrayal.
And in Irada (2017) – for which she received the National Film Award for the Best Supporting Actress – energy rested evenly on her shoulders as Ramandeep Braitch, the harsh-tongued state CM who walked throughout areas with a staccato rhythm. Dutta was in a position to infuse the antagonist’s inner world with a selected vulnerability, recalling how, on the time, she had in truth been “troubled…and zoned out” by the latest lack of her mom.
She is at present making information for her rendition of a non-binary character in Faraz Arif Ansari’s Sheer Qorma. The movie, which is but to launch in India, is garnering rave critiques at worldwide festivals. And the actor just lately received the Best Actor award for her portrayal of Saira on the DFW South Asian Film Festival in Texas.
“I am an actor, and I would love to do every kind of role.[…] I refuse to be bound in [a certain image], and I’m glad that [the] time has finally arrived, and I don’t have to fight for it,” she emphasises.
Videography: Joshua Navalkar
Styling: Shweta Navandar
Video enhancing: Viral Shah and Mallika Chandra